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#16 Living Blues Charts 2006 San Diego Music Awards Winner
San Diego Union Tribune That sound is the confident and relaxed swagger of Mighty Joe Milsap singing I've got a pocketful of money and it's all in ten dollar bills or the hypnotism of Troy Sandow's harmonica as it weaves around the beat and pushes the song toward its final destination. This is a band that believes understatement and sincerity are a powerful brew of blues. – MICHAEL KINSMAN The Blues Book Store -Barry Pickell Owner, The Blues Book Store.
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Lazy Lester, Muddy Waters, J.D. Miller, Frank Frost, Lightnin’ Hopkins – rarely has an original band’s work been so easily defined by its covers. The Fremonts are five San Diegans led by a Kansas transplant, but musically they occupy a space equidistant between Crowley, La., and Chicago. (Which puts them somewhere around St. Louis I guess.) The salacious and self-explanatory opener “Grabs Hold It” might have their name on the copyright but you’d be hard-pressed to tell it from Miller’s “I Hear You Knockin’” or Muddy Waters “I Want You To Love Me” or Lester’s “Real Combination For Love” or the other three originals here. We can probably thank producer Mark Neill (Deke Dickerson, the Old 97’s) for the way Mighty Crazy occupies its own specific time and place – using every vintage recording technique available, he and the band have created a record that sounds exactly like some hybrid of Chess and Excello circa 1954. There’s simply nothing to indicate the last half-century of music happened, especially since guitarists Patrick Skog and Tony Tomlinson have the swamp thing nailed and Troy Sandow’s harp is practically a primer in Windy City styles. Fool your blues-loving friends at parties! Tell them you found this in a thrift store somewhere and their eyes will light up! Make no mistake, however; this all sounds seamless, the work of a unified group that understands the feel and not just the form. In fact the trio of originals at the heart of the album represent no shift in mood or sound at all, though you might have to listen hard to pick up Mighty Joe Milsap’s mighty politically incorrect threat in “Chunk a Rock”: “I’m gonna choke you, my dear darling/Until you’re blue in the face.” Damn. The rest of the disc goes down easy, though Neill’s dedication to the time warp takes a little fidelity away from some great grooves – this recording stays sepia-toned no matter how far you push it. If you need proof that the blues is a timeless art form, this album is your smoking gun. Just don’t look to the Fremonts for the next big thing. ROBERT FONTENOT
"The best
record I've had in my player in over 2 years.... (Mighty Crazy) gets a 7
harp salute..."
"More than
just echoes from the past...Long live the sounds of Jay Miller" |
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"'Mighty Crazy'...sounds like it was pulled out of a vault
where it had been stored for three or four decades." "Singer Milsap is a dead ringer for the late Sammy
Myers... these cats do this music as well as anyone today."
"Somewhere in Blues Heaven, Frank Frost, Sam Myers, Slim Harpo, Lightnin’ Slim, and Lonesome Sundown are smiling because their legacy is in very capable hands.". --- Graham Clarke (Blues Bytes)
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Thanks to everyone involved here for sharing this one with us...here we go.... For a lot of us "younger" blues fans, the only recollections we have of most of the stable of artists that cut sides for labels such as Chess, Excello, and Sun are, of course, the recorded legacy they left behind for us to savor. However, the Fremonts come the closest to anyone we've heard to capturing that authentic, "old-school" feel that one might've heard in the halcyon days of 706 Union or 2120 Michigan Avenue.
The
Fremonts hail from the San Diego area, and have consistently placed in that The Fremonts are able to present their sound as authentically as possible by adapting their arrangements to recording techniques from the Fifties. Also, they realize that some blues are just meant to be danced to, and that energy jumps right out of the grooves. Check out the leadoff "Grabs Hold It," with its swampy, Excello-inspired rhumba beat. Also good for a hot turn on the dance floor is an amped-up version of Sam Myers' "Dogged By Women," fueled by Troy Sandow's swingin' harp.
Our
favorites, though, covered both ends of the blues spectrum. The hilarious
"Chunk A Rock" is Mighty Joe's response to a cheatin' lover who's been "kissin'
my friend It is refreshing to see a group of bluesmen pay tribute to the classic styles we've grown accustomed to listening to from the masters of the past. Any of these cuts would've been right at home on Hossman Allen's WLAC shows from back in the day when you hid the transistor under your pillow at night! A big tip of the hat to The Fremonts and Mighty Joe Milsap with "Mighty Crazy!!" Until next time....Sheryl and Don Crow Music City Blues Society Nashville, Tenn. |
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